The Ballad of Trenchmouth Taggart
By
M. Glenn Taylor
Published:
2001
274
pages
The
Ballad of Trenchmouth Taggart by M. Glenn Taylor is a delicate
balance of historical folklore set in the hills of southern West Virginia starting
in the early 1900’s. It is the
lifelong story of a man outcast from society at the early age of two
months. Said to have spoken in the
devil’s tongue at his christening, Trenchmouth finds himself orphaned to a widow
who seems to be one of the few in their town accepting of his unsightly oral
disease, trench mouth.
Trenchmouth
is taught how to shoot, sip shine, and survive off the land within the
Appalachia region of West Virginia and Kentucky. He struggles to adapt to the ever-changing norms of society
while constantly on the run for crimes that some may have considered just. Despite his frequent run-ins with the
law, Trenchmouth finds himself learning life and musical skills from the best
including Sid Hatfield and Hank Williams.
As
he moves from town to town, displaying his skills a musician and writer,
Trenchmouth must come to terms with his inability to stay close to those he
loves and the destruction of the mountains he once called home. The
Ballard of Trenchmouth Taggart is a striking account of how the traditions
of Appalachia can be confused and lost in the outside world’s need to expand
and understand anything that is foreign to it.
Incorporating
the Text in an ELA Classroom:
This
is an extensive novel, not so much in its page length, but the time periods
that it covers. Divided into three
sections, the novel highlights T.T.’s (Trenchmouth Taggart’s) childhood,
adulthood and eventual old age.
There are many shifts in society that some students may not be familiar
with. Personally, I had to
research some of the events that occurred within the novel to better understand
them. There is a delicate balance
between what is real and what is fiction.
Taylor is able to place T.T. into historically events that, unless I
looked it up, I would have not known were true. One such example is T.T.’s involvement in the Battle of
Matewan. How much T.T. influences
the outcome of it is up to the reader’s imagination.
Because
of this there may be a need for students to participate in some front-loading while
reading the novel. It would help
to gain perspective on what students know about the historical events before
they read about T.T.’s involvement in them. That way the teacher can clarify any discrepancy or
uncertainty about the events they read.
The flow and context of the novel would be much easier for students to
understand if they were to gain some historical insight to the events
covered. Having said that, the
novel lends itself well to the possibility of a cross disciplinary study with a
historical subject. It is
important that students do gain some historical insight before and while
reading this novel.
There
is one main occurrence that may not be appropriate for any grade lower than 11th,
and even then that may be pushing it.
The first third of the novel is an account of T.T.’s boyhood and his
development as a teenager sexually.
As mentioned before, T.T. has the uncanny ability to speak in the tongue
of the devil, or in other words, snakes.
When ladies hear of T.T.’s unusual talent they
find him and pay him generously to demonstrate it. I won’t go into any further details as I think an older
audience can deduce what T.T.’s explicit business was.
However,
the book’s layout does provide the opportunity for a teacher to explicitly
choose sections for students to study.
As previously mentioned, the book is dissected into three different
sections, each pertaining to a part of T.T.’s life. The sections of the novel do not rely heavily on one another
and certain sections can be chosen to convey other important themes and
motifs. This gives the teacher
discretion to choose which section he or she finds most fitting for a class to
study.
Aside
from its graphic sexual content early in the novel, there are some instances
that involve racism and the ever-controversial “n” word. However, I think this is something that
can be looked past as it was part of history and is a truth that students need
to have knowledge of.
Despite
this, the novel is loaded with important themes such as, racism, loss of
culture, and displacement, which can be discussed and debated for endless
amounts of class periods, especially with students who have ties to the Appalachian
region. It gives great insight
into the livelihood of people who relied on the land and were able to fend for themselves
in a time period that some people may have come to forget.
For
some reason or another, the Appalachian region has obtained the identity that
it is filled with backwards living people who are dim witted and slow. This novel has several examples that displace
this idea and shows readers to not allow outside stereotypes to change your
perspective of who you are. This
is a novel that can be used to display the fact that people have different
intelligences to adapt to different ways of life.
Towards
the end of the novel, there is a brief mention of the ongoing problem of
mountain top removal and strip mining.
This is a significant topic that is relevant for many students
today. It also brings to light the
travesty of this process that some people, who don’t live in the region, may
not be aware of. I was curious as
to why it was so briefly mentioned and asked the author on what his views are,
however I have yet to get a reply.
Whether this topic was intentionally covered briefly or not, it opens up
the opportunity to discuss such controversial topics that may arise in the
classroom. In this way we can
relate this novel to current events that deal with environmental
controversy. Students can use
current events and events that are happening within the community to better
relate to the story.
The
book is written in what I thought to be a very unique way. While the dialogues and dialects very
much matched the way you might imagine someone of the Appalachia region to
speak, the text did as well. You
got the sense that Taylor himself was a pioneer within the Appalachia region as
you read. One might consider his
growing up in Huntington, West Virginia as an influence on this. This style of writing is something that
I think students within an Appalachian region can relate to. The writing alone can provoke interest
in students who may have not seen their dialect represented in a written text. Students can draw personal connections
to a text that follows and represents the stipulations of their community.
I chose one passage from the novel that I think represents a fitting
snapshot of the text.
“Some
stood scarecrow still, some ran.
Either way, they were thoroughly discombobulated by the sight of a black
boy hitting a white one for insulting his race. It didn’t happen in Georgia, they were pretty sure, and it
didn’t happen in southern West Virginia either. But it had happened,
and Warren Crews lay asleep on the ground, thick blood, chunked by dirt,
running from nose to mouth.
Eventually,
they all left their ten-year-old comrade where he lay, only one of them with
the wherewithal to shout a promise of revenge. Arly and Trenchmouth remained. They looked down at Warren together, the black boy rubbing
his throbbing knuckles, the white boy rubbing his head. This would take some figuring.” (pg 64)
Like I noted this an Appalachian book
that feels like it is written by an Appalachian writer. The writing is short and to the point,
yet gives metaphors and descriptions that we would have probably never
considered. This novel gives
readers and teachers the ability to pick and chose how a theme develops through
T.T.’s lifetime. I would highly
suggest this book to those who wish to show an Appalachian heritage and region
to be proud of.
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